All the oil paintings of Max Slevogt

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ID	Image	Painting(From A to Z)	Details
54324		At the Races	mk235 1909 Oil on canvas 52.5x74cm
54310		Dacne of Death	mk235 1896 Oil on canvas 102x123cm
89062		Dame in gelbem Kleid mit gelber Rose	1918(1918) Medium oil on canvas Dimensions Deutsch: 180 x 119 cm cjr
67629		Der Sanger Francisco	Der Sanger Francisco d'Andrade al Don Giovanni in Mozarts Oper, 1912 One of three paintings by Slevogt that portrait d'Andrade in this role. The painting depicts the scene when Don Giovanni invites the dead Commendatore to dinner (O statua gentilissima), with Leporello hiding behind him. Oil on canvas, 210 X 170 cm Gallery: Alte Nationalgalerie Berlin, A II 36
73747		Don Giovannis Begegnung mit dem steinernen Gast	Oil on cardboard, 37.2 X 53.2 cm cyf
72134		Don Juans Begegnung mit dem steinernen Gast,	Don Juans Begegnung mit dem steinernen Gast, 1906 Oil on cardboard, 37.2 X 53.2 cm
86006		Familie Slevogt im Garten von Godramstein	Medium Oil on canvas Dimensions 160 x 200 cm (63 x 78.7 in) cjr
23218		Flower Garden in Neu-Cladow (nn02)	1912 Oil on canvas,25 1/4 x 31 7/8'' Westfalisches Landesmuseum fur Kunst und Kulturgeschichte,Munster
87600		Heide und Baume	Date 1910(1910) Medium Oil on canvas Dimensions 70.2 x 60.2 cm (27.6 x 23.7 in) cjr
73822		Kinder im Wald	1917 Oil on canvas, 115 X 92 cm cyf
54316		Max Slevogt	mk235 1901 Oil on canvas 81.5x65.7cm
44970		Penthesilea	mk184 ]1905/06 chalk-and Tuschlithographie on carton 29x41.2cm
78107		Portrait of Julius Freund	1925(1925) Oil on canvas 110 x 81 cm (43.3 x 31.9 in) cjr
81440		Portrait of Julius Freund	1925(1925) Medium Oil on canvas Dimensions 110 x 81 cm (43.3 x 31.9 in) cyf
72199		Portrat Nina und Wolfgang Slevogt	Porträt Nina und Wolfgang Slevogt (Kinder im Wald), 1917 Oil on canvas, 115 X 92 cm
38833		Red Pergola with Dog	mk141 1897 Oil on cardboard mounted on Wood 68.2x98.1cm
44972		Selbstbidnis with hat and cane	mk184 1908 Lithographie 31.3x29.9cm
54326		Steinbart Villa	mk235 1911 Oil on canvas 85.5x105.5cm
97301		Study of Lions	1907(1907) Medium oil on canvas Dimensions 21 X 26 in cyf
23222		Sunny Garden Corner in Neukastel (nn02)	1921 Oil on canvas,35 1/2 x 43 1/4'' Bayerische Staatsgemaldesammlungen,Neue Pinakothek,Munich
44971		Symbols of the time as well as long yet	mk184 Lithographie 45x34.5cm
34028		The Alster at Hamburg	mk87 1905 Oil on canvas 59x76cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin Preussischer Kulturbesitz
54319		The Alster at Hamburg	mk235 1905 oil on canvas
21586		The Alster at Hamburg (mk09)	1905 Oil on canvas,59 x 76 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
38672		The Singer Francisco d-Andrade as Don Giovanni	mk138 1912 Oil on canvas 210x170cm
56504		tiger in the jungle	mk247 1917,oil on canvas,22.625x27.625 in,57.4x70 cm,hamburger kunsthalle,hamburg,germany
83431		Unter einem Baum	Date 1901(1901) Medium Oil on canvas Dimensions 58.5 x 76.5 cm (23 x 30.1 in) cjr

Max Slevogt
German Impressionist Painter, 1868-1932 German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.